Issue of April 13, 2009

April 13, 2009

APRIL 6, 2009

THE TALK OF THE TOWN
All Together Now
Paul and Ringo remember their mantras.
by Nancy Franklin

Q. If you were Nancy Franklin could you maintain her reserve in this situation?

SHOUTS & MURMURS
Mi Chiamo Stan
by Ian Frazier
Q. Is this funny or mean? Why? Would it still be funny without the translations? Is there a seed of truth? Is the original advertisement sincere or satirical?

ANNALS OF FINANCE
I.O.U.
The American way of debt.
by Jill Lepore
Q. Is this more informational or entertaining? Do you agree with Lepore's assessment of moral vs. market economy and it's consequences? Are there dangers common or unique to each?

LIFE AND LETTERS
A Fine Rage
George Orwell’s revolutions.
by James Wood

Q. What does Orwell get right? get wrong? What more do we learn about him?

BOOKS
Media moguls then and now.
by Nicholas Lemann

Q. Do today's moguls have the power of yesterday's version? Did competition make a better product? Still?

A CRITIC AT LARGE
Marian Anderson’s complex legacy.
by Alex Ross

Q. Are there any surprising facts to be discovered here? What can we tell about the author from his sentences about his subject?

Issue of April 6, 2009

April 6, 2009

APRIL 6, 2009

THE TALK OF THE TOWN
Primary Sources
Musicologists at the opening of Moisés Kaufman’s “33 Variations.”
by Michael Schulman
Q. Why do you care or not care about this story? Is it the content or the telling? What's your theory on Beethoven's motivation for 33 variations?
LETTER FROM CALIFORNIA
Cash for Keys
A one-man foreclosure bonanza.
by Tad Friend
Q. What do we learn about foreclosure? What are Nordine's qualities? shortcomings? demons?

PROFILES
Couplet
The literary brotherhood of twin poets.
by Rebecca Mead
Q. Are these typical twin brothers? Do you like their poetry? Their personality? Do you think they are successful? Their mother?

THE ART WORLD
Works from the Norton Simon collection.
by Peter Schjeldahl

Audio: Peter Schjeldahl on the emotional power of painting.

Q. Does the writer tell us more about art history or understanding these particular works? Can you relate?
THE CURRENT CINEMA
“Monsters vs. Aliens,” “Shall We Kiss?”
by Anthony Lane

Q. Spot all of AL's zingers. If you've seen the films, do you agree with him? If not, would you see them based on this piece? Is it a review or an essay about film?